Boyhood
Both films sit with longing, figuring out who you are, and grief. Both circle the same ground: class and money and men and women navigating expectations. Same energy: melancholic, warm, slow burn, and episodic.
A look at the life of French designer Yves Saint Laurent from the beginning of his career in 1958 when he met his lover and business partner, Pierre Berge.
If Yves Saint Laurent hit you the right way, here are Hollywood films that share its DNA. Same emotional weight, same kind of stories, same kind of payoff.
Both films sit with longing, figuring out who you are, and grief. Both circle the same ground: class and money and men and women navigating expectations. Same energy: melancholic, warm, slow burn, and episodic.
Like Yves Saint Laurent, this one is rooted in figuring out who you are, longing, and all-consuming love. Both circle the same ground: men and women navigating expectations, caught between worlds, and class and money. The feel is the same: melancholic, haunting, slow burn, and episodic.
Both films sit with longing, all-consuming love, and grief. Both circle the same ground: men and women navigating expectations and caught between worlds. The feel is the same: melancholic, haunting, slow burn, and episodic.
Like Yves Saint Laurent, this one is rooted in figuring out who you are, longing, and guilt. They share the same lens on men and women navigating expectations. Same energy: melancholic, haunting, slow burn, and methodical.
Both films sit with grief, longing, and figuring out who you are. The world both films live in revolves around class and money, caught between worlds, and old ways vs. new world. Both move the same way too, melancholic, haunting, slow burn, and episodic.
Like Yves Saint Laurent, this one is rooted in grief, longing, and figuring out who you are. The world both films live in revolves around class and money. Both move the same way too, melancholic, warm, slow burn, and episodic.
Like Yves Saint Laurent, this one is rooted in grief, figuring out who you are, and longing. The world both films live in revolves around class and money and caught between worlds. Same energy: melancholic, warm, slow burn, and episodic.
Both films sit with longing, grief, and figuring out who you are. Both circle the same ground: caught between worlds and men and women navigating expectations. Same energy: melancholic, haunting, slow burn, and methodical.