Nomadland
Both films sit with loss of innocence, belonging, and longing. The world both films live in revolves around class and money, poverty, and caught between worlds. The feel is the same: melancholic, haunting, slow burn, and episodic.
Mona Bergeron is dead, her frozen body found in a ditch in the French countryside. From this, the film flashes back to the weeks leading up to her death. Through these flashbacks, Mona gradually declines as she travels from place to place, taking odd jobs and staying with whomever will offer her a place to sleep. Mona is fiercely independent, craving freedom over comfort, but it is this desire to be free that will eventually lead to her demise.
If Vagabond hit you the right way, here are Hollywood films that share its DNA. Same emotional weight, same kind of stories, same kind of payoff.
Both films sit with loss of innocence, belonging, and longing. The world both films live in revolves around class and money, poverty, and caught between worlds. The feel is the same: melancholic, haunting, slow burn, and episodic.
Both films sit with loss of innocence, feeling powerless, and belonging. They share the same lens on poverty, class and money, and family duty. The feel is the same: melancholic, bleak, episodic, and slow burn.
Both films sit with loss of innocence, belonging, and longing. They share the same lens on poverty, class and money, and family duty. Both move the same way too, melancholic, haunting, slow burn, and episodic.
What ties these together is feeling powerless and belonging. The world both films live in revolves around poverty, family duty, and men and women navigating expectations. Same energy: bleak, haunting, slow burn, and methodical.