The Motive
Both films sit with figuring out who you are and guilt. Both circle the same ground: class and money and caught between worlds. Both move the same way too, dark comedy, cold and detached, and methodical.
In 2003, Harvard undergrad and computer programmer Mark Zuckerberg begins work on a new concept that eventually turns into the global social network known as Facebook. Six years later, Mark is one of the youngest billionaires ever, but his unprecedented success leads to both personal and legal complications when he ends up on the receiving end of two lawsuits, one involving his former friend.
These foreign films share the same emotional core, themes, and structural feel as The Social Network. Every one of them has confirmed English subtitles or dubbing.
Both films sit with figuring out who you are and guilt. Both circle the same ground: class and money and caught between worlds. Both move the same way too, dark comedy, cold and detached, and methodical.
Both films sit with figuring out who you are, guilt, and longing. Both circle the same ground: caught between worlds and class and money. The feel is the same: dark comedy, melancholic, and escalating.
Both films sit with figuring out who you are, longing, and guilt. The world both films live in revolves around class and money and family wounds passed down. The feel is the same: melancholic, cold and detached, and methodical.
Both films sit with figuring out who you are and longing. Both circle the same ground: class and money and old ways vs. new world. Same energy: melancholic and cold and detached.
Tag overlap with The Social Network across multiple dimensions.