Past Lives
Both films sit with longing, grief, and figuring out who you are. Both circle the same ground: caught between worlds and men and women navigating expectations. The feel is the same: melancholic, haunting, and dreamlike.
Olivier Assayas, Gus Van Sant, Wes Craven and Alfonso Cuaron are among the 20 distinguished directors who contribute to this collection of 18 stories, each exploring a different aspect of Parisian life. The colourful characters in this drama include a pair of mimes, a husband trying to choose between his wife and his lover, and a married man who turns to a prostitute for advice.
If Paris Je T'aime hit you the right way, here are Hollywood films that share its DNA. Same emotional weight, same kind of stories, same kind of payoff.
Both films sit with longing, grief, and figuring out who you are. Both circle the same ground: caught between worlds and men and women navigating expectations. The feel is the same: melancholic, haunting, and dreamlike.
What ties these together is figuring out who you are, longing, and all-consuming love. The world both films live in revolves around class and money, men and women navigating expectations, and old ways vs. new world. The feel is the same: dark comedy and melancholic.
Both circle the same ground: class and money. The feel is the same: dark comedy.
What ties these together is figuring out who you are, grief, and belonging. Both circle the same ground: class and money and caught between worlds. Same energy: dark comedy, melancholic, and episodic.