American Fiction
What ties these together is figuring out who you are, guilt, and shame. They share the same lens on class and money and corrupt institutions. The feel is the same: dark comedy, absurdist, and escalating.
Paris, France, 2001. Octave Parango, a young advertiser working at the Ross & Witchcraft advertising agency, lives a suicidal existence, ruled by cynicism, irresponsibility and debauchery. The obstacles he will encounter in developing a campaign for a new yogurt brand will force him to face the meaning of his work and the way he manages his relationship with those who orbit around his egotistic lifestyle.
If 99 Francs hit you the right way, here are Hollywood films that share its DNA. Same emotional weight, same kind of stories, same kind of payoff.
What ties these together is figuring out who you are, guilt, and shame. They share the same lens on class and money and corrupt institutions. The feel is the same: dark comedy, absurdist, and escalating.
What ties these together is figuring out who you are, shame, and guilt. They share the same lens on class and money, men and women navigating expectations, and old ways vs. new world. Same energy: dark comedy, surreal, and escalating.
What ties these together is figuring out who you are, guilt, and all-consuming love. Both circle the same ground: old ways vs. new world, men and women navigating expectations, and corrupt institutions. Both move the same way too, dark comedy, surreal, relentless, and escalating.
What ties these together is figuring out who you are and all-consuming love. The world both films live in revolves around class and money. The feel is the same: dark comedy, escalating, and erratic.